

Curatorial Narrative The Worship of Mammon by Evelyn De Morgan, created circa 1909, occupies a pivotal position within the Pre-Raphaelite movement’s later phase. De Morgan’s innovative application of impasto technique, characteristic of her work, imbues the composition with a tactile quality that invites close examination. The use of rich blues and earthy tones particularly the dominant brown hue establishes an atmosphere of somber contemplation, while splashes of crimson add a sense of urgency to the scene.As the painting’s scale is enlarged to approximately 44×53 inches, its chromatic structure assumes a commanding presence within a luxury interior. The expansive spatial depth, achieved through De Morgan’s masterful use of atmospheric perspective, creates a dynamic interplay between the figures and their surroundings. When paired with warm-toned materials such as walnut or terracotta, the painting’s dark undertones are subtly hi
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