

Curatorial Narrative In 1902, Frank Chouteau Brown’s “Anglo-Saxon Capitals 3” exemplified the Art Nouveau movement’s emphasis on organic forms and sinuous lines. By eschewing representational subject matter in favor of abstracted, ornamental motifs, Brown tapped into a modernist impulse that would shape the development of fine art and design for decades to come. The artist’s choice of black on white was no doubt influenced by the prevailing interest in the expressive potential of pure color, as evident in the bold, graphic statements of artists such as Aubrey Beardsley.At a scale of 44×62, “Anglo-Saxon Capitals 3” assumes a commanding presence that would be equally at home in a grand salon or a sleek, modernist living room. The monochromatic palette and crisp line work imbue the artwork with an unassuming yet unmistakable authority, its dark forms seeming to draw gravity towards themselves like magnets. As the eye moves across the s
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