

Curatorial Narrative In the context of 1920s modernity, Fernand Simon’s “Au bal noir et blanc ; Manteau du soir” occupies a pivotal position within the Art Deco movement. Created in 1921, this work embodies the era’s fascination with urban sophistication and the mechanization of art. Simon’s technique, characterized by linear brushstrokes and a focus on composition, recalls the works of Henri Matisse and Andr Derain, yet he innovates through his bold use of black and white, punctuated by subtle accents of purple and green.When enlarged to 44×63 inches, “Au bal noir et blanc ; Manteau du soir” assumes an imposing presence. The chromatic structure, founded on a binary opposition between light and dark, imbues the space with an intense spatial rhythm. The stark palette allows for a precise calibration of material pairings: matte black walls would provide a striking backdrop for the artwork’s silhouettes, while gleaming metallic accents
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