

Curatorial Narrative The painting “Last sun rays” by Flix Vallotton, created in 1911, stands at the threshold of the modern era, its abstract expressionist brushstrokes and impasto technique imbuing the landscape with an almost palpable atmospheric weight. The artist’s use of green, red, blue, and yellow pigments coalesce to form a chromatic structure that veers between depth and flatness, drawing the viewer into a spatial rhythm that defies traditional representational expectations.When enlarged to 44×58 inches, Vallotton’s composition unfolds like a tapestry, its intricate web of brushstrokes and colors demanding attention. The palette, initially seen as vibrant and expressive, begins to read as more nuanced and complex, with individual hues now discernible within the broader spectrum. This heightened level of detail recalibrates our perception of spatial depth, transforming what was once a two-dimensional landscape into an immers
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