

Curatorial Narrative As we navigate the avant-garde landscape of the 1930s, “Parole in liberta; futuriste olfattive tattili-termiche Pl. 1” by Filippo Tommaso Marinetti emerges as a seminal work that embodies the Futurist movement’s rejection of traditional aesthetics and its fervent celebration of modernity. Created in 1932, this piece exemplifies Marinetti’s bold experimentation with form and materiality, eschewing the conventions of traditional art-making for a more industrial, machine-like sensibility.The artwork’s chromatic structure is dominated by a stark palette of red, black, and white, which serves to heighten its sense of dynamism and tension. This dichromatic opposition between warm and cool tones creates an atmospheric weight that is both unsettling and mesmerizing. When enlarged to 44×46 inches, the spatial rhythm of “Parole in liberta; futuriste olfattive tattili-termiche Pl. 1” becomes even more pronounced, its geome
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