

Curatorial Narrative In the midst of the 1930s, when futurism’s radical ideologies and artistic experimentation reached new heights, Filippo Tommaso Marinetti created “Parole in liberta; futuriste olfattive tattili-termiche Pl. 13”, a work that exemplifies the movement’s obsession with dynamism and sensory overload. This 1932 print is an exemplary illustration of Marinetti’s unique technique, which involved fragmenting language into abstract forms to convey the intensity of modern life. By using bold yellow, gray, black, and red hues in a minimalist palette, Marinetti created a chromatic structure that bursts with energy and disrupts traditional notions of representation.When enlarged to 44×44, “Parole in liberta; futuriste olfattive tattili-termiche Pl. 13” assumes an imposing presence, its flat, two-dimensional form taking on a three-dimensional quality due to the interplay of light and shadow. The spatial rhythm established by th
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