

Curatorial Narrative Felix Albrecht’s “Wir Arbeiter sind erwacht Wir whlen Nationalsozialisten, Liste 2” is an exemplary instance of Expressionist still life painting from the tumultuous year of 1932. The artist’s linear brushwork imbues the composition with a sense of dynamism and tension, underscoring the urgency of the moment. As we navigate the visual field, we are struck by the deliberate deployment of red, white, blue, and black hues, which not only adhere to the Art Deco aesthetic but also assume an industrial sheen, recalling the metallic tones of machinery. This fusion of decorative and utilitarian elements within a still life setting bespeaks Albrecht’s fascination with the interstices between artistic expression and industrial design.Upon enlargement to 44×65, the artwork reveals its inherent spatial depth and compositional structure. The reds and blues recede into the background, assuming an atmospheric weight that is at
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